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A first glimpse of my fiction: one story offered here, and one sent to your inbox.

Marginalia

A romance told through red ink, restraint, and the dangerous intimacy of being read too closely.

Originally written for the NYC Midnight 250-Word Microfiction Challenge, Marginalia won first place in its second-round group. Revised for this site, it offers a compact example of the kind of fiction I am drawn to write: sharp, layered, and charged with what is said indirectly.

“This innovative take on the prompt expertly uses the mechanics of feedback … to create a dramatic and compulsively readable romance.”

— NYC Midnight Judge 2419 on Marginalia

“Your ability to create tension between Eliza and the editor through his feedback alone is incredible. Seriously, that is so impressive! … You’ve created an incredibly clever, well-written story that I love.”

— NYC Midnight Judge 1996 on Marginalia

Marginalia

Miss Eliza Harrow posted her story as Elias Harrowton, sealing it with enough wax to lend the name a gentleman’s certainty. Her fingers bore ink-stains she had scrubbed with lye until the skin pinked and smarted as if shame, too, might lift.

 

When it returned, the envelope felt heavier for having been read. Not a rejection—worse. Pages bled red in the margins. The editor’s hand was cruelly elegant enough to wound.

 

“Ambition. No backbone. Decide whether you mean to seduce or to lecture.”

 

Eliza read it twice, heat rising to her face. The first sting was pride; the second was the suspicion that he was not entirely wrong. She took up her pen and wrote beneath his line:

“Sir, if you cannot distinguish seduction from instruction, your tutors have wasted their fees. Also: your metaphor limps.”

The next envelope felt heavier before she broke the seal.

 

“Strike the lace. Keep the blade. The Club will laugh.”

 

Her pulse hesitated; her pen did not. Anger flushed her throat—at him, worse at herself for wanting his good opinion.

 

“Lose the swagger. Keep the eye.”

 

Their duel found a rhythm: his corrections—lancets; hers—stitches. She waited for his red with the ache of held breath.

 

He circled, in red, the line where her heroine refused an apology.

 

“There. Grit. Don’t sand it down. Your heroine walks like a woman who has been watched.”

 

The words landed where no stranger should have reached. She sat very still. That night, she slept.

 

The final bundle was light—too light. Inside lay her manuscript, the contract beneath it, a note below the signature.

 

“I knew from your first paragraph you were a woman. Men are seldom so practiced at being watched. Your voice deserves print, and the only way past a locked door is to strike it true. Continue this argument: Tuesday. Noon. My rooms.”

 

Eliza let herself smile, then signed. Beside his name, she made one correction:

 

“Replace ‘rooms’ with ‘walk.’ Public, first. Then tea.”

Copyright © 2026 Michel Courval. All rights reserved.

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Receive Borrowed Breath, a first-place winner in its first-round NYC Midnight Rhyming Story Challenge group.

In a winter-bright ward, joy feeds a presence no one can see. Only the clown feels its cost in his own breath.

“The theme of borrowed breath in this piece was really compelling and unique. … The use of personification is a strength throughout this piece. … These uses of figurative language paint a vibrant picture of action and emotion throughout the story.”

— NYC Midnight Judge 2481 on Borrowed Breath

“This poem swept me off my feet. I was entirely caught up. The language is exquisite.”

— NYC Midnight Judge 2206 on Borrowed Breath
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